No More Northern Stories to tell

I have published a blog on and off for about eighteen years now and as you might imagine, my life has changed considerably during that time.

I started Northern Stories in 2009 as a place to write about my day-to-day musical activities. At the time, those consisted of putting on gigs in local venues, doing a bit of DJing and playing in bands. Like many people writing about their own activities, I had a tendency to overshare.

There was quite a lot of drama, particularly during the first few years. There were also some very opinionated and self-indulgent entries, along with sections documenting past projects in frankly mundane levels of detail. Looking back now, parts of the music and venues sections can read a little like a “look what I’ve done” CV.

The bands never stopped but the venue activities and DJing gradually did. By around 2016 I had moved out of the city centre and stepped back from the local music scene, or at least that particular part of it.

During Covid, I left Facebook completely and immersed myself in the world of digital privacy. That naturally led me to think more carefully about how much I posted online. I unpublished quite a few older entries and began to feel somewhat embarrassed by the person I appeared to have been.

I decided that I would only write when I genuinely felt I had something to say. Much of what I did write concerned my band Dawn of Elysium, so it made more sense for those articles to appear on the band’s own website.

I eventually returned to Facebook because networking for and with the band was proving difficult without it. By then though, my outlook had changed. I no longer took myself quite so seriously and I certainly did not feel the same need to document everything I was doing.

A little later, my interests expanded into homelabs and self-hosting. Inevitably, I began looking again at Northern Stories with thoughts of migrating it, redesigning it and bringing it onto my own server. I had barely touched the site for years but a handful of people still told me that they had enjoyed reading it.

For all that I found some of it cringeworthy, Northern Stories had become a document of my own history and, to some extent, the Bradford music scene around me at the time. I wanted to preserve that. I was simply no longer happy with the way it was presented.

The more I thought about relaunching it, the more it began to feel like an albatross.

I loved the idea of creating an online space that belonged to me and existed away from the noise of social media. The difficulty was that the person who had written Northern Stories was no longer quite the person I had become.

When I started the site, I felt as though I had something to prove. I was almost desperate for people to know that I had a voice and that I had done these things. I am older now and my perspective has changed. I am still proud of much of what I have done but I no longer feel the same need to present it as evidence.

Eventually, I realised that I did still want a personal website. I just did not want to rebuild Northern Stories.

That led to Outpost 10.

Outpost 10 is not intended to erase the past or pretend that Northern Stories never happened. Some of the stories from here will undoubtedly find their way over there in time, although perhaps with a little more perspective and rather less unnecessary detail. The music projects remain an important part of my life and I have already begun revisiting them through a series of more personal chapters.

There will also be writing about music technology, recording, self-hosting and whatever else happens to interest me. There is no content strategy, monetisation plan or attempt to become an influencer. It is simply my own little corner of the internet.

Northern Stories will remain online as an archive for now but all new writing will appear at:

https://outpost10.uk

Some of you have followed my ramblings here for a remarkably long time. I remain genuinely touched that anybody found them worth reading and I hope you might join me at the new outpost.

The Underground – the best Bradford venue that you may not have yet been to

Up until fairly recent times, I had been involved in some capacity in the Bradford live music scene other than as a member of a band or punter. For years I was anything from a DJ to venue promoter to events officer and even did a little live sound engineering. I was passionate about everything I did and I tried my level best to make a decent contribution, occasionally to the detriment of my state of mind or health. Nevertheless I soldiered on until I became disillusioned and simply felt I had no more steam left in me for it. It’s a disheartening path to take at times and very difficult to stay positive in the face of doubters and occasionally people who are downright nasty. Anyway, my lifestyle and priorities altered with age and I found myself wanting to concentrate more on making music at my own pace.

I have utmost respect for anyone who is involved in any way in making live music happen and take a keen interest in what’s going on, even though I don’t manage to come along to events as often as I used to.

There have been many ventures in the Bradford area worthy of mention over the years, featuring people with varying intentions and outlooks.

However, I must say that one particularly notable venture in the last year has been The Underground. The Underground is located on Duke Street towards the top end of Bradford and it opened in March 2016. It appeared on the scene at a time when there were lots of other events going on and consequently uptake on the place was not instant.

The building itself housed a music venue and nightclub about 10 years ago, which was fairly successful at the time but the tenant moved premises and left the building in a severely dilapidated condition. It was left empty for years. Nigel and Matthew Booth rebuilt much of the venue from scratch, pouring their hearts and souls into something which they self-admittedly did not know much about at the time. Their intentions are amongst the most genuine and pure I have ever come across.

This attitude and passion was very much synonymous with local sound engineer, promoter and superstar Jim Mitcham, known to us all as JimDog. It was a perfect match then when he hooked up with the guys and since then has worked tirelessly to make it the very best venue it can possibly be. Constantly brainstorming ideas, constantly looking for ways to do things better and all for the love of the music. Although I am not involved, I have done my best to make people aware of the place and point bands, DJs etc. in their direction. I love the versatility of ideas and the fact that the stage is open to any forms of music. From a band point of view, we played there last August and everything was perfect from the hospitality to the sound engineering and the professionalism in which the event was executed by promoter Steve Hamilton.

I would urge everyone to please give this place support and spread awareness as much as you practically can. It’s not very often a team of this caliber come along and give the live music scene at large an opportunity like this, which very much warrants grabbing firmly with both hands. However, don’t just take my word for it. I would welcome everyone to pop along and see for themselves. There are some great events coming up and they are always up for new ideas.

Bradford nightlife is currently enjoying somewhat of a resurgence with new bars opening up at an increasing rate. This is great and there are many different things on offer. However none are quite like the Underground. It’s physically larger, can house touring bands comfortably and the team behind it are very inclusive, going above and beyond to not only accommodate customers but also work with other businesses in the area to improve the wider scene. It deserves you and you deserve it 😉

Threadfest: 23rd – 25th May 2014 – Voltage Studios stage (24/05)

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This spring bank holiday sees the return of Threadfest, a cross-city annual festival of independent music. 2014 will be the third one and this time I am happy to say that both of my bands will be participating.

There are a number of venues involved such as Bradford Playhouse, The Black Swan, Delius Arts Centre, Glyde House, Al’s Dime Bar, The Sparrow, 1 in 12 Club and Tavern In The Town.

Our slots will be at Tavern In The Town on Saturday 24th May starting at 8pm. This is billed as the Voltage Studios stage and will consist of (in order of appearance):

Dawn of Elysium
Suicide By Cop
Ironrat
Idiot Box

Entry will be free all night and there is the Underworld club night on afterwards until late.

Facebook Event Page

For more information on the full weekend’s proceedings, visit the Threadfest Official Website.